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Author: Véronique Braquet

Gumpenhuber’s theatre chronicles as a window into eighteenth-century Viennese theatre culture

After the previous blog posts mainly dealt with our different work areas and steps (from source description to the division of a IIIF manifest using Python to transcription with Transkribus), the following post will now be dedicated to the actual content of the chronicles, examining their context, structure and data…

Digital is good, but analog is better: On the trail of the Viennese Gumpenhuber chronicles

With the rapid advancement of digitization, it is now easier than ever to access information from all over the world at the click of a button. On her first visit to the Music Collection of the ÖNB (Österreichische Nationalbibliothek) in Vienna, our project employee Véronique was initially greeted by a…