Author: Elisabeth Reisinger

How the “King of Swing” Became my Pilot Study for Commissioning Classical Music

Some years ago, when I more often played the clarinet myself, I put Aaron Copland’s clarinet concerto on my music stand. “For Benny Goodman,” it read on the top of the first page. What hasn’t really attracted my attention before, now distracted me from practicing the challenging cadenza: When, how,…
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