Abstract: Platemarks and papermarks can bear witness to the production process of a counterproof. In the example of an 18th-century print series, they allow conjectures on the appreciation of the counterproof’s (absent) matrices. A counterproof is a print of a print. As this involves printing from paper on paper the…
Luisa Feiersinger · Dimensionen der techne in den Künsten
by Luisa Feiersinger · Published 12/02/2022
· Last modified 01/05/2023
Abstract: What in retrospect might appear as an astonishing revival of the early modern practice of nature prints in Vienna around 1850, was in fact embedded in a radically new framework of conditions and expectations. The technical procedures included genuinely new networks of cooperating specialists and image-generating causes, and at…
Luisa Feiersinger · Dimensionen der techne in den Künsten
by Luisa Feiersinger · Published 01/04/2022
· Last modified 01/26/2022
Was Goethe’s theory of colours permeated by the colour knowledge and terminology of practitioners? In this regard, Goethe’s term Pfirsichblüth or Pfirsichblüthroth reveals a striking connection to the practice of dying.
Luisa Feiersinger · Dimensionen der techne in den Künsten
by Luisa Feiersinger · Published 10/29/2021
· Last modified 11/02/2021
Interdisciplinary Graduate Conference at the Department of German, Princeton University (May 12-13, 2022) in cooperation with the Center for Cultural Studies, University of Graz. Deadline: November 15, 2021. Keynote by Joanna Zylinska, King’s College London. Driverless cars, social credit systems, or Twitter poetry bots: our increasingly technologically optimized and algorithmically…